fall break.2009.great bend.ks

Monday, April 25, 2011

'post chocolate' -yes please.

lack magazine.

typography journal 11.

Debbie Millman is a partner and president of the design division at Sterling Brands, one of the leading brand identity firms in the country. Millman is president of AIGA, and chair of the School of Visual Arts’ master’s program in Branding. She is a contributing editor to Print magazine and host of the podcast “Design Matters.” She is the author of How To Think Like A Great Graphic Designer,The Essential Principles of Graphic Design and Look Both Ways: Illustrated Essays on the Intersection of Life and Design.

Design Matters is a series by Debbie Millman where she interviews influential figures in design. I listened to the audio interview of Steve Frykholm who worked for Herman Miller. Millman conducts lighthearted interviews and leads the listener through the life of these designers and leaders of design to give insight and background about where they began and what experiences influenced their careers and lives as creatives. 

Frykohlm began in Kansas; for college he went to school in Bradley. He taught primitive screen printing over seas and attended Berkley in the 60's. And now for 40 years has worked with Herman Miller. 

typography journal 10.

"What is GOOD?

GOOD is the integrated media platform for people who want to live well and do good. We are a company and community for the people, businesses, and NGOs moving the world forward. GOOD's mission is to provide content, experiences, and utilities to serve this community.
GOOD currently produces a website, videos, live events, and a print magazine. Launched in September 2006, the company has garnered praise for its unique editorial perspective and fresh visual aesthetic and is quickly positioning itself as a significant new voice in our culture.
In 2010, GOOD started GOOD Projects — a new kind of agency focused on helping businesses and organizations do well by doing good. GOOD Projects works with clients to engage communities and bring great ideas to life."

I love this website. It is kind of like world news/general knowledge but fresh and refocused from traditional media sources. It isn't so dry or serious as "grown-up" news its interesting and is more interesting for a new interactive generation. 

Wednesday, April 13, 2011

"the great dictator" speech by charlie chaplin

Charlie Chaplin is the speaker of the speech I chose, his character was inspired by Adolf Hitler. Chaplin plays two roles: the barber with amnesia and Adernoid Hynkel the dictator of Tomania.

This film, The Great Dictator is a loosely veiled play on Hitler's dictatorship of Germany. As much of the rest of the world, especially the United States, was trying to ignore the German threat and the persecution of the Jews, Charlie Chaplin spoke out loudly against the injustice with his speech. 
I feel like this is an important speech because Chaplin's character speaks so freely and passionately for justice. The sound bite of this speech is so powerful and the words are very moving and meaningful. This speech is about 4 minutes long. At the beginning Chaplin speaks softly and eloquently then into the next few stanzas he speeds up his pace and rolls into the most passionate part of the speech which is the 4 - 5 next chunks of the speech. He abruptly ends his speech with the short phrase "soldiers, in the name of democracy. let us unite!" 
I chose this because the speech made me feel inspired. In the film, directly after the above phrase was said, the immense crowd of germans is shown cheering and elated. I am sure the audience in the theater had the same feeling as I had. 
bio: British comedian, producer, writer, director, and composer. Born Charles Spencer Chaplin on April 16, 1889, in London, England, to parents Charles and Hannah Chaplin. Famous for his Little Tramp character, the sweet little man with a bowler hat, mustache, and cane, Chaplin was one of film's first superstars, elevating the industry in a way few could have ever imagined. 
Chaplin's rise was a true rags-to-riches story. His father, a notorious drinker, abandoned Chaplin, his mother, and his older half-brother, Sydney, not long after his Charlie's birth. That left Chaplin and his brother in the hands of their mother, a vaudevillian and music hall singer who went by the stage name of Lily Harley.

The Great Dictator  
I’m sorry but I don’t want to be an Emperor, that’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone if possible, Jew, gentile, black man, white. We all want to help one another, human beings are like that. We all want to live by each other’s happiness, not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone and the earth is rich and can provide for everyone.

The way of life can be free and beautiful. But we have lost the way.

Greed has poisoned men’s souls, has barricaded the world with hate;
has goose-stepped us into misery and bloodshed.

We have developed speed but we have shut ourselves in:
machinery that gives abundance has left us in want.
Our knowledge has made us cynical,
our cleverness hard and unkind.
We think too much and feel too little:
More than machinery we need humanity;
More than cleverness we need kindness and gentleness.

Without these qualities, life will be violent and all will be lost.

The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men, cries out for universal brotherhood for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me I say “Do not despair”.

The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress: the hate of men will pass and dictators die and the power they took from the people, will return to the people and so long as men die [now] liberty will never perish. . .

Soldiers: don’t give yourselves to brutes, men who despise you and enslave you, who regiment your lives, tell you what to do, what to think and what to feel, who drill you, diet you, treat you as cattle, as cannon fodder.

Don’t give yourselves to these unnatural men, machine men, with machine minds and machine hearts. You are not machines. You are not cattle. You are men. You have the love of humanity in your hearts. You don’t hate, only the unloved hate. Only the unloved and the unnatural. Soldiers: don’t fight for slavery, fight for liberty.

In the seventeenth chapter of Saint Luke it is written:
“The kingdom of God is within man”
Not one man, nor a group of men, but in all men; in you, the people.

You the people have the power, the power to create machines, the power to create happiness. You the people have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy let’s use that power, let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give you the future and old age and security. By the promise of these things, brutes have risen to power, but they lie. They do not fulfill their promise, they never will. Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world, to do away with national barriers, do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness.

Soldiers! In the name of democracy, let us all unite!

Monday, April 4, 2011

typography journal 8.

Type Means Never Having to Say You're Sorry is an article that talks about young design students who do all of these great time consuming projects but fail to know the history behind it. Most students don't know the background of the typeface they choose hence affecting how it is read through their project. Futura is specifically critiqued in this article. After reading this other typefaces that may work better than Futura are: Univers, Berthold Akzidenz Grotesk, or perhaps Gotham Book. 

I also read Designing Under the Influence by Michael Bierut. This is similar to the prior, Bierut interviews a newly graduated designer who has a cd packaging project done in Futura Bold Italic done in a style directly a mimic of Barbara Kruger. This young person, first had no idea who Kruger was and had been directed by a professor who decided to ignore the peculiar resemblance. There is an ignorance of typeface and designers that needs to be addressed.

But as the article says "is it possible for someone to 'own' a graphic style? Legally, the answer is (mostly) no." A designer may not own a certain style but young designers need to be more knowledgable and design intentionally and intelligently.